Description
DMS „Cha Nang Ngam“ Oriental Beauty Oolong Tea
The DMS “Cha Nang Ngam” Oriental Beauty Oolong belongs to the world’s best-known oolong tea varieties and traces its stylistic origin to northern Taiwan, where it became famous under the name Dong Fang Mei Ren (“Oriental Beauty”). Traditionally based on the Chin Shin (Qing Xin) cultivar, this tea style is now also produced in Doi Mae Salong. The Thai name “Cha Nang Ngam” corresponds in meaning to “Oriental Beauty Tea.”.
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A defining feature of this tea is the natural feeding of cicadas on the tea leaves. Their bite triggers a stress reaction in the plant, leading to the development of honey-like, fruit-driven and softly floral aromatic compounds. This characteristic also limits production to the seasonal period during which the cicadas are active.
As in Taiwan, the northern Thai expression follows a medium oxidation level. While the aromatic profile reflects the classical Oriental Beauty style, the leaves in Doi Mae Salong are rolled into a spherical “ball-type” form in accordance with local oolong-processing tradition.
The infusion shows an amber tone that gradually deepens into warm red-gold depending on infusion time. The dry, ball-rolled leaves display the slight bluish hue typical of moderately oxidised oolongs — a characteristic that has led to the designation “blue tea” in East Asian tea classification.
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The Cultivar: Chin Shin (Qing Xin)
The Chin Shin cultivar, also known as Qing Xin (“Green Heart”), is among the most traditional and significant oolong tea cultivars of Taiwan. Since the 19th century, it has formed the classical basis for the production of Oriental Beauty and is valued for its fine leaf structure, aromatic differentiation and suitability for medium oxidation.
Chin Shin plays a central role in connection with the characteristic cicada bite. The plant responds sensitively to this natural stimulus and develops the complex honeyed and fruit-oriented aromatic profile typical of Oriental Beauty.
As part of the Royal Thai Development Project, the cultivar was introduced to northern Thailand in the 1980s alongside other Taiwanese oolong varieties. Under the climatic conditions of the northern Thai highlands, Chin Shin has proven adaptable and develops a distinct regional expression while remaining stylistically aligned with its Taiwanese model.
Origin & Terroir: Doi Mae Salong, Northern Thailand
Doi Mae Salong lies in the far north of Thailand near the border with Myanmar at elevations between approximately 1,000 and 1,600 metres above sea level. The highland climate is characterized by cool nights, high humidity and diverse vegetation. These conditions create a stable microclimate well suited to quality-oriented tea cultivation. The rocky highland soils further contribute a subtle mineral depth that shapes the structure of the tea.
Today, Doi Mae Salong is regarded as one of the most important centers of high-quality tea production in northern Thailand. The focus lies on carefully crafted teas from clearly defined garden plots, often based on Taiwanese cultivars and processed in close alignment with East Asian traditions.
A Brief Look at the History of Doi Mae Salong
The present tea culture of Doi Mae Salong is closely linked to the history of the region. In the 1940s, parts of the Chinese Kuomintang army settled here after fleeing China following the Chinese Civil War. Along with them came their families, agricultural knowledge and cultural influences from southern China and Taiwan.
During the 1960s and 1970s, the region gained unfortunate notoriety as part of the so-called “Golden Triangle”, one of Southeast Asia’s most significant opium-growing areas.
A fundamental transformation began in the 1980s, when initiatives of the Thai royal household promoted legal highland agriculture. Tea subsequently became one of the central pillars of this transformation.
Find more information about the history of Doi Mae Salong and the local tea scene there through the following link:
Doi Mae Salong – Center of Tea Cultivation in Northern Thailand
Tea Plants & Cultivars in Doi Mae Salong
As part of the Royal Thai Development Project, selected Taiwanese tea cultivars were introduced to northern Thailand. To this end, tea experts from Taiwan first identified cultivars particularly well suited to the local terroir. The plants were then imported and permanently established on site through asexual propagation using cuttings.
These cultivars are:
- Ruan Zhi (TRES #17)
- Jin Xuan (TRES #12)
- Chin-Shin / Qingxin, in Taiwan traditionally the basis of Oriental Beauty Oolong
- Si Ji Chun (Four Seasons)
Alongside these introduced cultivars, the region is also home to large-leaf tea plants of the Assamica type. Northern Thailand, together with parts of Laos, Myanmar, northern Vietnam and northeastern India (Assam), forms the evolutionary home region of this variety of Camellia sinensis.
Together, these elements form the basis for the exceptional diversity of Doi Mae Salong’s tea portfolio.
Our Local Growing Partner
The teas from this origin come from the gardens of the Chinese-descended Banphodsikorn family, who have been cultivating tea in Doi Mae Salong since the mid-1980s. Technical responsibility lies with Ms Sumalee Banphodsikorn.
Natural Cultivation & Biodiversity
The cultivation adheres to natural methods, without the use of pesticides. Interspersed between the small-scale garden plots are biodiverse areas, maintaining a stable ecological balance.
Tea Production in Doi Mae Salong
In line with the Taiwanese cultivars used, local tea production focuses primarily on oolong teas. Elevations above 1,000 metres particularly favour the production of high-mountain oolongs. In addition, green and black teas are produced from both Assamica tea trees and imported cultivars. Processing takes place on a small, artisanal scale and is guided by the characteristics of the plant material as well as the intended style of the finished tea.
Picking & Processing
The production of DMS “Cha Nang Ngam” Oriental Beauty Oolong is seasonally limited. It takes place exclusively during the period when cicadas are active in the tea gardens, as their natural bite initiates the characteristic aromatic development. In northern Thailand, this phase typically occurs between May and July, depending on weather conditions and altitude.
The youngest, already unfolded leaves at the end of each shoot are carefully plucked. Due to the structural changes caused by the insect bite, processing requires particular attention.
The oxidation level lies in the medium range and clearly above that of a Pouchong-style oolong. This higher oxidation contributes to the tea’s aromatic density and warm infusion tones. No roasting in the strict sense takes place.
Unlike in Taiwan, where Oriental Beauty is traditionally processed into an open, lightly twisted leaf, the leaves in Doi Mae Salong are rolled into spherical “ball-type” form. This reflects the local oolong-processing tradition while preserving the defining stylistic elements of the tea.
For detailed information about the processing of Oolong tea, refer to the following link:
My Little Tea School, Lesson 8/4 : Tea Processing (4) – Oolong Tea Processing
Taste & Appearance
DMS “Cha Nang Ngam” Chin Shin Oriental Beauty Oolong presents a balanced interplay of honeyed sweetness, ripe fruit and floral depth. The cicada-induced aromatic development produces notes reminiscent of honey, muscat grape, ripe stone fruit and delicate blossoms.
Compared to lightly oxidized oolongs, this tea displays greater aromatic density and a rounder body. Its natural sweetness unfolds gently, while a soft, almost nectar-like texture coats the palate. The finish remains clear, warm and persistent.
The rocky highland terroir of Doi Mae Salong adds a subtle mineral dimension that grounds the sweet-fruity components and lends the tea a recognizable sense of origin.
The infusion initially appears in amber color and gradually shifts toward warm red-gold with progressed steeping. The dry ball-rolled leaves exhibit the slight bluish tint typical of moderately oxidized oolongs.
Preparation
Western Preaparation:
3–5 g tea leaves per 200 ml water
Water Temperature: ca. 90 °C
Infusion time: 2–3 minutes
With higher leaf quantities, infusion time should be reduced accordingly. Due to its medium oxidation level, this Oriental Beauty reacts more sensitively to extended steeping than lightly oxidised oolongs. Even at moderate extraction, it develops pronounced sweetness and aromatic depth. Multiple infusions reveal evolving layers of honey, ripe fruit and mineral structure.
Gong Fu Cha:
Like other high-quality oolongs, this tea is well suited to traditional Chinese preparation. Higher leaf-to-water ratios combined with very short infusion times allow the shifting aromatic layers to unfold over a longer sequence of infusions.
For more teas from Northern Thailand refer to the following link:



















Robert McManus –
This one was completely different from what I thought it would taste like, however it is really good! For some reason, I was thinking a little darker, more roasted or possibly close to some of the Oriental Beauty that I’ve had. This is not the case here.
Both the dry and infused leaves did not change in its consistency of fresh cut spring grass and wild onions. There is a certain bothiness to the liquid that is full and satisfying. It is very easy to sip this tea, with its smooth green tea-like qualities that ends the mouth with a touch of sweetness.
I found the leaves to be of excellent quality and completely enjoyed watching the leaves unfurl a little after each infusion. This tea is perfect for experiencing with a gaiwan!
There is a small, I mean very small amount of astringency detected if the water temp is much above 185 °F, however I tried it closer to boil and found it still pleasant – not offensively overpowering. No matter the steep time or water temp, the tea was found to be very forgiving – which is uncommon with most greener oolongs. They can be quite cantankerous, and refuse to be nice or sweet if not given their cooler pool of water.
Dmitrij Sorokin –
Chaa Nang Ngam в переводе с тайского означает “Красивая женщина”. Но “красота” в значении старательная, скромная, добрая. Вот такая красотка и нарисована на упаковке чая. Но я не смог идентифицировать этнический инструмент. Это не тайский wot (โหวด) и тем более не кhene (แคน).
Вид сухого чая – зеленовато-коричневые катышки. Похож на тайваньские улуны. Запах яркий, цветочный.
При заварке возникает аромат меда и в дальнейшем сменяется на запах вареного изюма.
Страница продукта говорит о том, что этот улун собирается только раз в год. Чайные кусты Алишань привезены из Тайваня, и так же, как и тайваньская “Восточная красавица” кусаются местными цикадками. Их секрет остается на листьях в виде коричневых пятен.
Вкус – нарцисс и мед. Чем-то даже похож на Светлый Шуйсянь, но с перевесом в цветочную ноту. Чай очень мягкий. Сколько не заваривал, ничего резкого во вкусе. Мне он понравился. Но это точно не Восточная красавица, намек на которую идет в описании продукта.
Fabrice (verified owner) –
Accustomed to Oriental Beauty of taïwan, sweeter, I am very satisfied with this tea. Flowers and exotics fruits are the main taste in the mouth.
Upper water temperature gives more minerality to the tea that disapears at a lower one.
Or else this tea has very long and good taste in mouth after the last sip.
A very good tea at a very good price.
Teresa Tong (verified owner) –
For those open minded enough to have an “Oriental Beauty” which does not look fit the look of the usual Oriental beauty, but taste, brighter, fuller and “happier” than a most of the Standard Oriental beauty, this tea is fantastic in its versatility and price point, allowing excellently bright, joyful, flora and grounded expression, while not losing that earthly flavor that an Oriental beauty lover so seek.
2 ways to hack this Oriental Beauty:
1) Don’t exclude it just for Gung Fu – try it in glass, or just easy commute drink / hotel drink / grab and go tea bottle. It is very durable and sufficient long lasting while not runing its overall integrity.
2) Great tea as a gift for fellow tea Connaisseur, by the look and flavor they won’t know what’s coming. The look on their face when they try the tea is absolutely priceless… *Grin*
Overall, a beautiful bright, durable tea with long brew, with a sufficiently friendly price point to experiment with different settings without feeling the pinch in the piggy bank. Greatly recommended!
Ioannis Mavromichalis (verified owner) –
Tastes like green tea without the astringency. There is a hint of fruits. I was going to give this Oolong a pass as there are others I prefer more, but one day I made ice tea and I thought let’s use this one – after all iced tea all taste the same, no? Wrong! The taste, aroma, flavor, all changed completely and it became a totally different tea. First time I tasted an ice tea with such flavorful character. I am now saving the rest for the summer! I will also try with less hot water as others suggested…
oskar (verified owner) –
Oriental Beauty is one of my favourite wulongs, this one is definitely a bit different. More like a middle point between OB and a lighter wulong. The flavor and smell is clearly OB-style (bug bitten) but lighter, not that intense as other full-OB.
As said, this tea will tolerate many brewing settings, I tend to put a bit more than usual grams and a bit more of time to my liking.